Plunkett And Macleane [1999]


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Editorial
Amazon.co.uk Review

No-one will be neutral about Plunkett and Macleane. Either you go with its notion of cheeky, stylish fun or you want to grab first-time director Jake Scott by the ear and slap him silly. Your inclination may depend on whether you recall his dad Ridley's own directing debut, The Duellists (1977), and savour the correspondences. Dad took a Joseph Conrad tale of the Napoleonic Wars, cast it with the ultra-contemporary Keith Carradine and Harvey Keitel, and filmed it with a swooping, mobile camera. Son Jake has made a feisty period piece about a pair of thieves (Robert Carlyle, Jonny Lee Miller) in 1748 London and filled it with blatant anachronisms. A decadent aristo (Alan Cumming), asked whether he "still swings both ways," replies, "I swing every way!" A ballroom full of revellers dances the minuet (or is it the gavotte?) while our ears--if not theirs--are filled with a trance ballad. And so forth.

Is this sophomoric? Maybe. But it's also often fresh and inventive. Why shouldn't a filmmaker be allowed to speak directly to a contemporary consciousness, even flaunt it, as long as he also delivers startling imagery and convincing period detail? The solid cast includes Michael Gambon as a corrupt magistrate, Ken Stott as a very nasty enforcer named Mr Chance (who favours a thumb through the eye socket and into the brain as a mode of execution) and Terence Rigby as a philosophical jailer. Even Liv Tyler looks more interesting than usual. In the end pretty frivolous, Plunkett and Macleane is nonetheless a lively debut. --Richard T Jameson, Amazon.com


Editorial
Special Features

English
Region 2


Editorial
Synopsis

Will Plunkett (Carlyle) is a common thief who teams up with aristocrat James Macleane to rob from the rich, using their combined social connections and criminal knowhow to become "The Gentlemen Highwaymen". But when Macleane falls in love with the daughter of one of their wealthy victims, things get complicated. A stylish, fast-paced, techno-scored adventure. Director Scott is the son of BLADE RUNNER director Ridley Scott.


Great fun
Review date: 2006-07-14 Rating: 8 out of 10

And that's how it should be viewed. This is not supposed to be realistic period drama. That's superb too -Kubrick's Barry Lyndon remains the greatest example. What this is is sheer entertainment, a tongue-in-cheek, very stylised film that happens to be set in the 18th century. The ball set to 1990s trance is the bit that probably everyone remembers most for various reasons. Let's not be pretentious though.

The story is hardly Hemmingway, but better than most mainstream releases. The acting is superb, and the whole cast was clearly having a great deal of fun. So they should. Alan Cumming makes an ideal Rochester (author of the most perverted poems of all time), and Liv Tyler is far more than just an attractive object to gaze at. She's good. Very good. Carlyle, Gambon, Stott and Miller are great, and the whole gels into exactly what it sets out to be: an extremely bawdy post-Restoration piece updated for a modern audience. Sarcastic and somewhat perverse humour abounds, most of it unrepeatable here, but hugely entertaining if you leave your pruding hat in the other room.

If you dislike bawdy humour, or are a 'purist' you will hate this film. Fair enough, don't buy it. For the rest -enjoy. A few extras worth a quick glance. Some nice interviews. Great picture on the DVD and the sound is crisp, clean and well balanced. Direction for a debut is very good, with a real flare, and offers something a bit different compared to many releases. Well worth seeking out.



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Reviews


This movie stands, and delivers...
Review date: 2005-12-02 Rating: 8 out of 10

Like a bright button on a dandy’s waistcoat, this film is real gem! Made with very 21st century sensibilities (and soundtrack) it is a true Restoration Period romp, and is like Hogarth’s paintings of the ‘Rakes Progress’ and ‘Gin Alley’ brought to vivid life on DVD. It’s a bawdy, squalid but glamorous world where the ‘respectable’ rich get their vicarious kicks from partying with villains and rubbing shoulders with roughtrade (not really so very different from nowadays - just ask Guy Ritchie and all those ‘Lock Stock’ wannabees, or take a look around any trendy West-end club!).

Stylised it might be, but the film evokes its 18th century period so well – this was a time when a member of the royal family was mugged in his sedan chair in Covent Garden, children were hanged for pinching a loaf of bread, and when the real highwayman Dick Turpin rode Black Bess into legend. That said, the story unfolds with a very ‘olde Englishe’ spin on all the elements and themes you’d expect to find in a classic Sergio Leone spaghetti western: two ‘heroes’ thrown into an unlikely and uneasy partnership, bound by thieves’ honour and greed; a beautiful girl; corrupt and avaricious officials; a psychopathic villain, suitably dressed in black; and the prospect of the last man standing getting the gold and the girl. The whole set-up and especially the finale at Tyburn gibbet is certainly a nod (whether conscious or not) to Leone’s ‘Good, the Bad & the Ugly’ – and I say this as a compliment, not a criticism.

All in all, a great romp, great entertainment and great fun. Pay your money and take the ride, enjoy this ripping yarn for what it is, and don’t take it too seriously!!! I would almost have given it full marks, but some roguish felon in the ‘Plunkett & Macleane’ film tie-in & merchandising department decided to omit the Tiger Lillies brilliant songs from the soundtrack CD – and that, my good man, is a hangin’ offence, to be sure!

Your money or......
Review date: 2005-02-16 Rating: 6 out of 10

First saw this film back when it came out on rental, and I wondered what the hell I was watching, then I was buying a few DVDs and saw this - so I decided to get it on the sketchy memory that I liked it.

A strange story from the days of highwaymen when people are brutally killed first and questioned later. It actually deals with morals and the drive within people to get beyond their circumstances, but im not sure the film makes you look that deeply. Rather it focuses on being a fairly fast paced and well devised story that doesn't leave you wondering for too long.

I watched it with a fan of Jonny lee Miller, but apparently he doesn't look too good with his wig on, but he looks better with the makeup on. So it balances out. It is of course useful to know these things.

Good fun
Review date: 2001-08-27 Rating: 8 out of 10

Don't take this film seriously or you will be disappointed. I thoroughtly enjoyed it. This film is pure entertainment and has a surprising but excellent soundtrack that really polishes the film off. The extras on the DVD are okay with the trailer and some good cast interviews. The behind the scene filming is just that, a film about the filming but without any commentary and is not worth watching. However you can change the filming angle in some scene, although you will have to play and work out how to do it on your DVD.

Disappointing and annoying
Review date: 2000-08-22 Rating: 4 out of 10

The trailers I saw promised alot from this film, so I felt let down when I finally saw it. The film is far too self important and the characters are annoying. The fact that it is supposed to be set in medieavel times, but had a big beat drum n bass sound track was just plain rediculous. There are some mildly amusing moments, mostly provided by the somewhat camp Wessex, but if this film had any sort of realism this man would have been put in jail, given people's thinking of the time. Poor.


Product Details/Specifications


Actor(s):
Tommy Flanagan
Iain Robertson
Robert Carlyle
Ken Stott
Jonny Lee Miller

Creators:
Jonny Lee Miller (Primary Contributor)
Iain Robertson (Primary Contributor)

Director(s):

Recording label: 4 Front Video
Manufacturer: 4 Front Video
EAN: 3259190361799
Binding: DVD
Number of items: 1
Format: PAL,
Release date: 2005-05-02
Number of discs: 1
Aspect ratio: 1.78:1
Audience rating: Suitable for 15 years and over
Region code: 2
Running time: 97 minutes
Theatrical release date: 1999
Language: German (Original Language)
Language: English (Original Language)
Language: German (Subtitled)
Language: Dutch (Subtitled)
Language: German (Dubbed)

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