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Editorial
Amazon.co.uk Review
John Ford's beautiful, heartfelt drama about a close-knit family of Welsh coal miners is one of the greatest films of Hollywood's golden age--a gentle masterpiece that beat Citizen Kane in the Best Picture race for the 1941 Academy Awards. The picture also won Oscars for Best Director (Ford), Best Supporting Actor (Donald Crisp), Best Art Direction, and Best Cinematography; all of those awards were richly deserved, even if they came at the expense of Kane and Orson Welles. Based on the novel by Richard Llewellyn, the film focuses its eventful story on 10-year-old Huw (Roddy McDowall), youngest of seven children to Mr. and Mrs. Morgan (Donald Crisp, Sarah Allgood), a hardy couple who've seen the best and worst of times in their South Wales mining town. They're facing one of the worst times as Mr. Morgan refuses to join a miners union whose members have begun a long-term strike. Family tensions grow and Huw must learn many of life's harsher lessons under the tutelage of the local preacher (Walter Pidgeon), who has fallen in love with Huw's sister (Maureen O'Hara). As various crises are confronted and devastating losses endured, How Green Was My Valley unfolds as a rich, moving portrait of family strength and integrity. It's also a nod to a simpler, more innocent time--and to the preciousness of memory and the inevitable passage from youth to adulthood. An all-time classic, not to be missed. --Jeff Shannon
A worthy remastering for Hollywood's best film of 1941.
Review date: 2005-11-22 Rating: 10 out of 10
Richard Llewellyn's poignant, nostalgic novel "How Green Was My Valley" appeared in 1939. Hollywood was quick to work on a film adaptation, requiring a top director and producer, the recreation of a Welsh mining village in California, assembling a Welsh male choir and all the other essential requirements. Its success might be measured by the swag of academy awards and nominations it received, triumphing over such contenders for best picture as "Citizen Kane" and "The Maltese Falcon".
There is an appeal to the heart here. Homely, sturdy values and speech idioms of long ago are displayed in their best light. There is also an appeal to the mind. Political issues are examined, as are the effects of capitalization, worker exploitation and unionism.
Because a reading of the book and a viewing of the film have always moved me deeply, I have avoided them for many years. I recently watched the DVD version however, and can report that the DVD remastering has been completely successful. Although 1941 was a good year for cinematography, sound track quality was far from satisfactory. Some slight enhancing has been done here to render the choral singing and orchestral sound at least tolerable. Dialogue is clear.
The film immortalizes the work of veteran actors Donald Crisp and Sara Allgood, who play the parts of Gwillym and Beth Morgan, the parents of the mining family. It also best shows the child acting talent of Roddy McDowell, then aged 13. And it is Irving Pinchel who provides the unforgettable narration.
This is a gloriously beautiful black and white film, with several foundations for that beauty. First, there is the Oscar winning set design of Richard Day, Nathan Juran and Thomas Little, who recreated a totally believable Welsh town on the side the Santa Monica Mountains at Brent's Crags, near Malibu (plans to film the movie in Wales were abandoned when World War II broke out). This is one of the most memorable built sets in Hollywood history. Second, there is the Oscar winning photography of Arthur C. Miller, who would go on to win Oscars for cinematography of "Song of Bernadette" and "Anna and the King of Siam." Third, there is the singing of the Welsh Singers, who set the tone during the opening credits of the film (the same song that is song in a great moment in "Zulu," except this time it is sung in Welsh). Fourth, there is the young Irish actress Maureen O'Hara as the one daughter in the Morgan household. The only regret that this film is not in color comes from being denied the sight of O'Hara's red hair.
Beyond director Ford, who also won an Oscar, the key to this film becomes McDowell in terms of both his character and his performance. Huw is the character that brings the various episodes and plot threads together, and despite the deaths and departures that come during the film, the greatest tragedy in the film belongs to Huw. McDowell's simple and earnest performance is indeed the lynch pin of the film. The socio-political tone of the novel with regards to the labor union issue is toned down considerably, although the harsh realities faced by these Welsh coal miners are clearly represented.
"How Green Was My Valley" was the film that beat out "Citizen Kane" for the Academy Award for Best Picture (not to mention "The Maltese Falcon" and seven other films), although if you know the story of Orson Welles' masterpiece then you really have to be surprised the film was nominated (I bet it would not have been if there had been only five nominations allowed). This film was added to the National Film Registry of the Library of Congress in 1990.
'How Green Was My Valley' was a film close to Ford's heart - in the same way the 'Quiet Man' was. Although that latter film is more famous, it is this one which is the superior.
The DVD has no features to speak of except a trailer, but for a film this great, and a print this great who cares?
A film with humour, romance, courage, hardship and sadness, this film is one of all the time classics, and a must to watch.
Excellent performances by Walter Pigeon, Maureen O'Hara and the young Rodney McDowell, amongst others.