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Sahara [1943]


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Editorial
Amazon.co.uk Review

Columbia's biggest hit of 1943, Sahara confirmed the superstar status Humphrey Bogart attained with his Warner Brothers' North African adventure, Casablanca (1942). Surrounded by the Germans on three sides, Bogart's tough-as-they-come Sergeant Joe Gunn takes his tank and a crew of American, British and French soldiers into the Sahara to reach the retreating allied forces. But when they find that the only water for 100 miles is also the target of a German battalion they decide to take a desperate stand. Early scenes present the characters with assorted perils: thirst, sandstorms and a German air attack. The characters are rather stereotypical: the cowardly Italian prisoner, the Frenchman obsessed with food, the German humourless and fanatical, though the British come out well, and there's a sympathetically drawn black British Sudanese soldier (Rex Ingram).

The director was Zoltan Korda, the man behind such British classics as The Four Feathers (1939), and though Sahara lacks the scale of that adventure, Korda's experience pays off in mounting the extended and suspenseful siege/action climax. With support from Lloyd Bridges and Dan Duryea, Oscar-nominated photography by Rudolph Mate and a fine score by Miklós Rózsa, Sahara is a taut, gripping desert war thriller which wouldn't be bettered until Ice Cold in Alex (1958).

On the DVD: The black and white picture is presented in the original 4:3 ratio and looks very good for its age, though there are numerous brief instances of substantial print damage. Audio is strong, clear mono. Given the age of the movie it is not surprising the only extras are filmographies and a small selection of beautifully reproduced original advertising posters. The film is presented with alternative soundtracks in French, Italian and Spanish, as well as with English, French, Spanish, Italian, Dutch and Finnish subtitles. There are trailers for The Caine Mutiny (1954), The Bridge on the River Kwai (1957) and The Guns of Navarone (1961). --Gary S Dalkin


A rouser of a war film, with messages for the U. S. home front and a first-class performance from Humphrey Bogart
Review date: 2007-09-20 Rating: 8 out of 10

If anyone wants to see how effective a WWII propaganda movie can be, I'd recommend Sahara. It's the story of a small group of Allied soldiers, led by Sergeant Joe Gunn (Humphrey Bogart), lost in the Libyan desert, who are determined to defend a small outpost against a battalion of Germans. The outpost has a well, but the well is almost dry. It produces only drops of water. Joe and his comrades will use the promise of water to delay the Germans, fighting them off in an almost hopeless battle, to give the Allies after the fall of Tobruk a chance to regroup. Please note that elements of the plot are discussed.

Sahara hits its marks to get all of us civilians back home a reason to be proud of our fighting men, to be resolute in the fight against the Germans, and to dedicate ourselves to do what we must to win. Let's see. We've got Humphrey Bogart leading us. His Joe Gunn is sympathetic, tough and smart, a natural leader, and at heart Gunn is just an average guy. The men he winds up leading are his tank crew and a collection of men from other countries he encounters in the desert. They come from Brooklyn, of course, and from Texas, from London, South Africa, Dublin, France, the Sudan. We have the black Sudanese portrayed as a resourceful and brave man, not as comedy relief, who not only develops a friendship with the Texan but who twice saves the day for his comrades. We have an Italian prisoner who represents an Italy which is oppressed by the Germans, and a Nazi prisoner who is arrogant and vicious. We have a battle in which ingenuity and bravery manage to hold off brutal frontal attacks. We have good men dying for a cause which is larger than they are. And we have two quiet but effective speeches which establish why we fight and why the fight is worth the cost.

Sergeant Gunn calls everyone together in the blazing sun just outside the mud-brick outpost to explain what he wants to do against the oncoming battalion of Germans. He intends that they will fight to hold off and delay the enemy. He has fewer than ten men. The Germans have several hundred. "I look at it this way," he tells the group. "Because it is a 100-to-one shot, because it is so much more than line-of-duty, because there's so little chance of us coming out of it, I felt I ought to put it up to you. You've all got families at home, wives, mothers, sweethearts. I ain't got none, so it doesn't matter about me. I know how you feel about 'em...maybe havin' none I know even better. What you decide, you'd better decide quick." One British soldier speaks up, "Well, nobody minds giving his life, but this is throwing it away. Why?" "Why?" Joe answers, "Why did your people go about their business when the Germans were throwing everything in the book at 'em? Why did your little boats take the men off the beach at Dunkirk? Why did the Russians make a stand at Moscow? Why did the Chinese move whole cities thousands of miles inland when the Japs attacked 'em? Why Bataan? Why Corregidor? Maybe they were all nuts but there's one thing they did do. They delayed the enemy and kept on delayin' 'em until we got strong enough to hit 'em harder than they were hittin' us. I ain't no general, but it seems to me that's one way to win."

Joe and the others start digging in. They only have a few hours before the Germans, with no water of their own, arrive. Joe bluffs the German commander. "Water for guns!" He knows they won't give in, and he knows he has almost no water himself. The Germans attack and keep attacking. One by one, Joe's men die. The lone British officer, a medical man who has backed Joe up, is with Joe in a shallow trench. "We've got to do it," Joe tells Doc. He sounds tired. "It looks like somebody's gotta work a miracle." Doc looks at him. "It seems to me," he tells Joe, "the four of us holding off several hundred of them is nothing short of a miracle. You know why we're able to do it? Because we're stronger than they are." Joe looks at him. "What do you mean, stronger?" he asks. "Oh, I don't mean in numbers," Doc says, "I mean in something else. You see, those men out there have never known...well, the dignity of freedom." "Dignity? That's a funny way to put it," Joe says, "but maybe you got something there." "We've all got something," Doc says quietly.

Soon, we're down to two men. Then that miracle happens. See the movie and find out. Yes, the speeches are obvious, but they work in the context of the movie. The first third is Joe, his tank and his crew, trying to find their way back to their lines and slowly gathering up the others. They are attacked by a German fighter and have to keep moving through a scouring sandstorm. The middle of the film is spent watching their struggle to collect the few drops of water coming from the well. More importantly, now we get to know most of the men as individuals. We also get to know just how dangerous the Nazi prisoner is. And the last third is a rouser...the preparation for what appears to be a hopeless battle, the dedication of the men as they fight and die, and then the final victory.

For a film that isn't especially well known, this is, in my opinion, one of Bogart's best roles. There's no false heroics about Joe Gunn. He's just a gritty sergeant who rises to the occasion. With the exception of J. Carrol Naish, who gives one of his over-played little-man Italian performances, the actors all do fine jobs. I particularly liked Dan Duryea, Rex Ingram and Louis Mercier. One other thought. If you're ever in a battle, never show your pals a photo of your sweetheart or your child. You'll soon be dead if you do.

The DVD transfer is just fine. There are no significant extras.

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Reviews


Playing Cowboys and Indians in the Western Desert
Review date: 2006-11-02 Rating: 6 out of 10

Filmed after the victory of El Alamein by the British 8th Army under Montgomery, this story capitalises on that campaign with an unabashedly American twist. The premise of the plot, as stated in the film's introduction, is a lone American tank crew, seconded to the British Army for training purposes, lost somewhere in the Sahara desert. En route to join their main battle group the crew encounters a mixed bag of lost or misplaced soldiers from various countries, allied and hostile, including a German pilot whose plane is shot down by the tank.

Command of this group is yielded by the only British officer present to the tank's commander, Sergeant Joe Gunn (Bogart). After standard difficulties of travel through the desert, sandstorm and all, the party reach an ancient and abandoned Moorish oasis site, which is low on water and scenery. Here they make their stand, one by one being shot at and killed by a mechanised batallion of wandering and parched Germans.

The storyline is improbable, and the American jingoism, though muted, is to be expected. This film was intended to keep the sympathies of the American public on side. Unfortunately, it's one of many that have resulted in an unbalanced and political view of the Second World War as seen from the U.S., which has, in the intervening decades, claimed ownership of the conflict, to the disparagement of British and Allied titanic efforts in the struggle.

Having said that, and using a pinch of salt, this film is enjoyable, and worth the three stars, if only for Bogart's performance.

Bogart at his brilliant best!
Review date: 2000-07-10 Rating: 10 out of 10

This would have to be one of the greatest war movies of all time. With a brilliant cast in support, Bogart delivers a captavating performance unequalled by any actor of his time. Set in the Sahara Desert (North African campaign of world war 2), 'Sahara' brilliantly outlines the hardships of one particular unit of allies trying to reach their own lines after being surrounded by 'Rommels' advancing Afrika Corps ... After rescuing a group of British soldiers from certain capture, Bogart's single tank unit scrambles to find water in the unforgiving desert only to find themselves in the path of a German amoured unit. The desicions they are left to make highlite the great sacrafices made by men in war time. The movie has more recently had the rare privelledge of having another movie of the same title made in its honour. 'Sahara' is a must for any clasic movie collection.

Product Details/Specifications


Actor(s):
Humphrey Bogart
Rex Ingram
Lloyd Bridges
J. Carrol Naish
Bruce Bennett

Creators:
Humphrey Bogart (Primary Contributor)
Bruce Bennett (Primary Contributor)
Rudolph Maté (Cinematographer)
Zoltan Korda (Writer)
Harry Joe Brown (Producer)
James O'Hanlon (Writer)
John Howard Lawson (Writer)
Philip MacDonald (Writer)
Sidney Buchman (Writer)

Director(s):

Recording label: Sony Pictures Home Entertainment
Manufacturer: Sony Pictures Home Entertainment
EAN: 5035822066335
Binding: DVD
Number of items: 1
Format: Black & White, Dubbed, Full Screen, PAL,
Release date: 2002-01-28
Number of discs: 1
Aspect ratio: 1.33:1
Audience rating: Parental Guidance
Region code: 2
Running time: 93 minutes
Theatrical release date: 1943-11-11
Language: English (Original Language)
Language: German (Original Language)
Language: Italian (Original Language)
Language: English (Subtitled)
Language: French (Subtitled)
Language: Polish (Subtitled)
Language: Czech (Subtitled)
Language: Hungarian (Subtitled)
Language: Hindi (Subtitled)
Language: Turkish (Subtitled)
Language: Danish (Subtitled)
Language: Arabic (Subtitled)
Language: Bulgarian (Subtitled)
Language: Swedish (Subtitled)
Language: Finnish (Subtitled)
Language: Icelandic (Subtitled)
Language: Dutch (Subtitled)
Language: Norwegian (Subtitled)
Language: Portuguese (Subtitled)
Language: Greek (Subtitled)
Language: Hebrew (Subtitled)
Language: Spanish (Subtitled)

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