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Editorial
Amazon.co.uk Review
A champion of illumination and experimental shading, Kurosawa brings his unerring eye for indelible images to Shakespeare in this 1957 adaptation of Macbeth. By changing the locale from Birnam Wood to 16th-century Japan, Kurosawa makes an oddball argument for the trans-historicity of Shakespeare's narrative; and indeed, stripped to the bare mechanics of the plot, the tale of cut-throat ambition rewarded (and thwarted) feels infinitely adaptable. What's lost in the translation, of course, is the force and beauty of the language--much of the script of Throne of Blood is maddeningly repetitive or superfluous--but striking visual images (including the surreal Cobweb Forest and some extremely artful gore) replace the sublime poetry. Toshiro Mifune is theatrically intense as Washizu, the samurai fated to betray his friend and master in exchange for the prestige of nobility; he portrays the ill-fated warrior with a passion bordering on violence, and a barely concealed conviviality. Somewhat less successful is Isuzu Yamada as Washizu's scheming wife; her poise and creepy impassivity, chilling at first, soon grows tedious. Kurosawa himself is the star of the show, though, and his masterful use of black-and-white contrast--not to mention his steady, dramatic hand with a battle scene--keeps the proceedings thrilling. A must-see for fans of Japanese cinema, as well as all you devotees of samurai weapons and armour. --Miles Bethany
Historic cinema, but tough for modern film fans
Review date: 2007-10-17 Rating: 8 out of 10
You may wonder about renting or buying Throne of Blood because you've heard so much about the films of Akira Kurosawa -- most notably the Seven Samurai, which Hollywood re-created as The Magnificent Samurai. If so, then you should be prepared for a very different style of film-making; much more slowly paced than modern movies. In fact it's more like a play acted out on a fixed stage, with scene changes.
There are some fabulously stylish cinematic moments here, and for fans of Mifune or Kurosawa than it's a must-see. The story parallels Macbeth in the rise to power of a weak man manipulated by his scheming wife, with much scheming and plotting and murdering.
However, some viewers will find that it's just too leisurely in its pace, and that some of the scenes are too drawn out. The 'horses gallop past again' moment does tend to get a bit jaded on repeat watching!
Fascinating viewing for cinema buffs; otherwise it may just leave you mistified.
The cast is a very strong ensemble, with frequent Kurosawa star Torshiro Mifune leading the film with a remarkably fine performance as the ambitious warrior Taketori Washizu. To my mind, however, the most memorable performance is offered by Isuzu Yamada as Lady Washizu--who plays the role with a demonic stillness that cracks into physical action only when she is completely sure of herself or in utter desperation. It is one of the most disturbing characterizations I have ever encountered.
As usual in any Kurosawa film, the imagery involved is extremely powerful, and the moody tone of the film quickly draws viewers in--and once ensnared there is no escape; the film holds your attention with considerable ease throughout. Even so, I would not recommend THRONE OF BLOOD to western audiences who have never seen a Kurosawa film, for it is so completely Japanese in aesthetic that some may find it hard to grasp. It is best seen after you are already familiar with both Kurosawa's work and Japanese cinema in general.
The Criterion DVD is quite good, with a nicely restored transfer and bonus features that include the original trailer, a choice of subtitle translations (I prefer the Hoagland translation), and a somewhat awkward but ultimately rewarding commentary track by Michael Jeck. If you're a Kurosawa fan and you've never seen THRONE OF BLOOD, this is your opportunity; if you're looking to replace an existing video with a DVD, this one is likely as good as it gets. Strongly recommended.
GFT, Amazon Reviewer