There is a great exuberance of life in Secrets & Lies, winner of the Palme D'Or and best actress (Blethyn) at the 1996 Cannes Film Festival--not Zorba-type life but the little battles fought and won every day. Leigh's honest interpretation of daily life is usually found only on the stage. Secrets & Lies is more realistic than a stage production, however, especially when Leigh shows us uninterrupted scenes. Critic David Denby states that Leigh has "made an Ingmar Bergman film without an instant of heaviness or pretension." If that sounds like your cup of tea, see Secrets & Lies. --Doug Thomas
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Editorial
Amazon.co.uk Review
If a film fan had never heard of director Mike Leigh, one might explain him as a British Woody Allen. Not that Leigh's films are whimsical or neurotic; they are tough-love examinations of British life--funny, outlandish and biting. His films share a real immediacy with Allen's work: they feel as if they are happening now. Leigh works with actors--real actors--on ideas and language. There is no script at the start (and sometimes not at the end). Secrets and Lies involves Hortense (Marianne Jean-Baptiste), an elegant black woman wanting to learn her birth mother's identity. She will find it's Cynthia (Brenda Blethyn), who is one of the saddest creatures we've seen in film. She's also one of the most real and, ultimately, one of the most loveable. Timothy Spall is Cynthia's brother, a giant man full of love who is being slowly defeated by his fastidious wife (Phyllis Logan).
The Truth Shall Set You Free
Review date: 2007-07-31 Rating: 10 out of 10
Over-the-top emotionally, boldly going where few films ever dare to go, Mike Leigh's "Secrets and Lies" never fails, even after many repeated viewings, to impress with its naked, in-your-face emotionalism. Just when you think that Leigh's characters can go no further, cannot possibly peel away another layer to reveal a truth about themselves...a character or characters does just that.
Roxanne's (Claire Rushbrook) birthday "party" at her brother Maurice's (a terrific performance by Timothy Spall) house is one of the greatest scenes ever committed to film: all the secrets and lies of this family are revealed, reviled and laid out for all to accept or not. Think "Who's Afraid of Virginia Woolf" times 10 as the old saying the truth shall set you free is applied generously as the wine flows in this scene. All of the characters attain a kind of redemption through speaking the truth: simple in concept but so very difficult in practice.
Brenda Blethyn's Cynthia is a big basket of exposed nerve endings all of which are , at the drop of a hat, ready to explode...and explode they do by way of a performance that on the one hand grates on your nerves while on the other simply tugs at your heart. You will hate Cynthia at times but ultimately she cannot, as Willy Loman by way of Arthur Miller says...be ignored.
"Secrets and Lies" is one of the greatest films ever made. It makes its play not only for your mind and succeeds but it also makes a play for your heart and soul...and succeeds in a way that only the greatest films do: with a simple re-telling of those things we all recognize as the truths of life.
Leigh reveals to us how secrets and lies can cause upset, pain,
and regret in what has to be one of the best British films of the 90's. With spot-on dialogue and glorious performances it is hard to find fault with Leighs master work. The stand out for me is brenda Blethyn as working-class poor Cynthia. Just when we thought Cynthia would live out the rest of her days as a worker in a banal factory, with her confrontational daughter Roxanne, she is thrown a life line in the form of Hortense, and we see their relationship flourish. Timothy Spall is also on top form as the glue that holds the family together.
The film is a harsh but realistic portrayal of the British family although the ending is fairly predictable and the film seems long on repeat viewings, you can't help but feel uplifted by the sentimental outcome.