It was no secret that Maclaine and Winger could barely contain a mutual antipathy on set. Yet they strike sparks off each other on screen. When comedy turns to tragedy with the development of Emma's cancer, the laughs continue even while the tear ducts are being given a good work out. In the glory days of Hollywood, this would have been acknowledged a great "women's picture" and its weepy credentials are impeccable. It stands out as a warm, accessible work that admirably rejects sugary sentiment in favour of the realistic rough edges that characterise most human relationships. On the DVD: Presented in 1.78:1 anamorphic widescreen with a Dolby Digital 5.1 soundtrack, this DVD is ideal for home cinema viewing. The picture and sound quality are fine, benefiting Michael Gore's gentle, memorable music and bringing the best out of Andrzej Bartkowiak's luminous photography. In addition to the original theatrical trailer, the major extra is the director's commentary in which James L Brooks reminisces with coproducer Penney Finkelman and production designer Polly Platt. They look back at their impressive work with a touching degree of wonder and apprentice directors should take note when Brooks recalls his steep learning curve in managing his leading ladies. --Piers Ford
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Editorial
Amazon.co.uk Review
When Terms of Endearment was released in 1983, director and writer James L Brooks was lauded for his depiction of a complex mother/daughter relationship. For his leading ladies he chose actresses with two of the strongest personalities in Hollywood, but armed with an exceptionally witty script and endless patience he eventually drew magnificent performances from Shirley Maclaine as Aurora and Debra Winger as her daugher Emma, assisted considerably by Jack Nicholson's considerate professionalism. As the philandering retired astronaut who beds Maclaine and then provides her with surprising support in the film's dark later moments, Nicholson shines with comic brilliance which earned him an Oscar.
Nothing Special
Review date: 2005-08-13 Rating: 4 out of 10
This movie is not a bad movie. It has good performances, especially from Jack Nicholson, and a good story line. But this is one of the most over-rated movies I have ever seen.
The direction is similar to that of a TV movie, very basic and plain, and is what one would expect of any run-of-the-mill director for a major film.
The main problem I have with the movie though is that it does nothing for me- it's not particularly interesting, funny, thoughtful, or novel. The majorty of the film is a series of snapshots of a mother-daughter relationship through time, not at any point doing more than documenting "where they're at", whilst the final third of the film is a melodramatic twist that contiues in the same vein as the first part of the film, rather than attempting to build on the opportunity it creates to do so much more.
The inevitable sadness felt towards the end of the film isn't down to great performances, or story line, but because after suffering two hours of life with these people, we're bound to feel a little sad at what happens, having seen them through all those different snap shots. That's manipulation, not genuine understanding or insight.
No doubt written off by many as nothing more than a 'chick flick', this fascinating tale of the complex love/hate mother/daughter relationship is so beautifully written and performed, that it has to be regarded as a classic.
I watched this film with my eldest son back in 1996. He was 23 at the time, and in the Royal Navy. A true hard-hitting, roughie-toughie, seen-it-all hardnut (or so he thought). The real acting for us came during the scene where Teddy (Huckleberry Fox) visits his mother in hospital. Just as the tears rolled down young Huckleberry's face, so they were running down mine. My big, strong, you-can't-touch-me son, meanwhile, was busy clearing the lump in his throat and struggling very hard not to let me see his own tears.
That's when you know you're watching a very special piece of magic.