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Editorial
Amazon.co.uk Review
Like a fine gourmet meal, the BBC's 1999 adaptation of David Copperfield has something to suit every taste: a well-paced screenplay that keeps the tale bowling along without losing the delights of some of Dickens' most sparkling dialogue; a rich gallery of characters; and a cast which features many of Britain's favourite actors. There is, of course, plenty of high comedy but some very tight direction checks any tendencies to over-ripe performance. The whole production is tightly integrated: from David's idyllic if cloistered childhood with his beloved mother and their devoted servant Peggotty, through the shattering arrival of a sadistic stepfather, rescue by his eccentric Aunt Betsey Trotwood and a journey into maturity where his very innocence makes him the unwitting agent of tragedy before all is resolved. Ciaran McMenamin is the mature David, his youthful face increasingly clouded by the gathering of experience. Trevor Eve oozes evil as his stepfather Mr Murdstone, ultimately neutralised by Maggie Smith's Aunt Betsey, a comic performance of true genius that gives frequent flashes of the vulnerable human being beneath. In other inspired pieces of casting, Nicholas Lyndhurst's incubus-like Uriah Heep haunts every scene he's in, and Pauline Quirke's Peggotty exudes the motherly warmth that sustains David during his darkest moments. Three hours of classic drama heaven. --Piers Ford
Pedestrian adaptation of a classic tale
Review date: 2007-11-27 Rating: 8 out of 10
'David Copperfield', is, by all respects, a brilliant story. It is partly autobiographical, but this gives the story an extra layer. The story of a man's development from boyhood to man is nothing new, and Dickens' novel sets his tale apart because of his emphatic understanding of human nature. This adaptation however, is fairly pedestrian in its handling of human emotions. Trevor Eve is perhaps, a little OTT and there is very little depth to his character, whilst I could say the same to Emilia Fox and Zoe Wannamaker.
The real triumph of this adaption is, I feel, Maggie Smith's performance which is in a league of its own. Betsy Trotwood is a very likeable character anyway, but Smith is superb.
The film is worth a look though, for any period drama fan, however to get the real benefits from this story, I'd recommend the book.
The BBC builds here on its impressive record of period dramas (including the impassible Pride and Predjudice in 1995), and whilstm being Dickens much of this production is set in dingy victorian London, it doesn't lose any of its beauty. The costumes are wonderful, the rich costumes suiting even the younger members of the cast. The two Davids are wonderful, Daniel Radcliffe shows, at the age of 9 the ability to draw in the viewer that would be exibited two years later as Harry Potter. His eyes alone, on the close ups are enough to make any viewer weep at the various injustices that befall our hero. Ciarán McMenamin is good as the adult David, though I admit a certain inability to see how the young David developed into him.
Of the rest of the cast, its virtually impossible to pick a best. Trevor Eve and Zoe Wannamaker show equal meaness in their roles as David's evil mental torturers and with a cast that also includes such greats as Ian McKellen, Bob Hoskins, Dawn French, Pauline Quirk and Emelia Fox it would be an injustice to single anyone out. That is, were it not for the spectacular performance of Maggie Smith, who pulls out all of the stops in her wonderful, heartwarming performance as David's aunt. The idea of anyone else now playing this role, seems foreign to me.
All in all this is a great adaptation of a great novel. Filmed in all its beauty by Simon Curtis and his wonderful crew. Let this version stand as a benchmark for a long long time.