On the DVD: Extras don't amount to much apart from a batch of cast-and-director interviews. Of these, Mamet and Macy (who share a dry sense of humour) offer the best value. Baldwin sounds oddly star-struck over his fellow-actors; "I'm a fan more than anything", he gushes. With Dolby 5.1 sound and widescreen (1.85:1) the picture sounds and looks handsome, though in such a dialogue-driven movie visual spectacle's hardly a key priority.--Philip Kemp
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Editorial
Amazon.co.uk Review
"A sleepy Vermont town", notes writer-director David Mamet, outlining the plot of State and Main, "gets invaded by a movie company and ... everyone in the town is suborned, polluted, saddened and ruined. So it's a comedy." As indeed it is--and, despite his typically acerbic summary, one of Mamet's most light-hearted films. At times, as in the shyly blossoming romance between screenwriter Philip Seymour Hoffman (playing Mr Nice Guy for once) and bookstore-owner Rebecca Pidgeon, it turns almost sentimental. Mamet's views on Hollywood are notoriously jaundiced ("Hell with valet parking", he once called it), but State and Main never really sticks the knife in. Many of the characters--the single-minded, manipulative director, the nympho actress who won't bare her breasts for the camera, the seemingly naïve locals who prove no less devious than the incomers--are strictly from stock, and much of the film covers similar ground to Alan Alda's underrated Sweet Liberty (1985). Some of the plot feels over-contrived, too. Since they're planning to shoot a movie called The Old Mill, the filmmakers are disconcerted to find on arrival that said mill burned down 40 years ago. Like, the location scouts wouldn't have noticed? Still, Mamet's dialogue is as crisp and literate as ever and the cast turn in diverting performances--especially the ever-excellent William H Macy as the director, and Alec Baldwin, spoofing his own image, as a predatory star with a taste for underage skirt. Altogether State and Main serves up a diverting satire on the lunacies of showbiz, though lacking the last degree of bite.
Editorial
Special Features
16:9 Wide Screen
DVD 9
English
English
Region 2
Dolby Digital 5.1 Surround English
Dolby Digital 5.1 Surround
Theatrical Trailer
Cast And Crew Features
Editorial
Synopsis
In the screwball comedy STATE AND MAIN, writer-director David Mamet reveals that the only thing more corrupt than Hollywood moviemaking is a small American town that is willing to stoop to any level to be a part of it. Marshalling an all-star ensemble, Mamet chronicles a movie production's arrival in sleepy Waterford, Vermont. Walt Price (William H. Macy), the smooth-talking, Machiavellian chief of the effort, has four days before shooting begins--he has to scout locations (the old mill he expected to use as a set burned down forty years ago), keep his egotistical stars out of trouble, and charm the locals. The writer, Joe White (Philip Seymour Hoffman), wrestles with endless script changes and finds himself getting involved with a charming Waterford bookshop owner (Rebecca Pidgeon). The townspeople only condemn the slick tinseltown interlopers when they're not currying their favor, hoping for a shot at the big time. Mamet lets each successive crisis among these folks build to hilarious chaos; healthy doses of one-liners and clever plotting are balanced with a character-driven comic tale. Mamet's dialogue, known for its rapid-fire, repetitious wit, is perfectly matched to both Macy's fast-talking damage control and Pidgeon's homespun wisdom--the result is light-hearted comedy that feels legitimately profound.
Light and gentle Sunday viewing
Review date: 2008-03-14 Rating: 6 out of 10
Crisp and critical reviews of Hollywood are usually accompanied by biting satire and multi-dimensional characters. We see their virtues accompanied by reckless selfishness and inflated vanity. Here was an opportunity to really go to town, showing what happens when the movie machine literally 'lands' on top of its small-town target. Don't get me wrong, this movie does raise a few laughs, and makes you feel warm and fuzzy with its underpinning stories. But the real promise is not realised: characters feel wooden and predictable, the plot rarely surprises and the irritating background music almost feels lifted from a Sunday morning episode of the Waltons. If you want light and gentle, this is for you.
Philip Seymour Hoffman and Rebecca Pidgeon are very sweet and lovable as the somewhat incompetent lovers, and there are some amusing twists and turns in the course of the action, until finally the writer is forced to confront his own situation and choose between the money and his own honour/dignity.
It isn't rolling on the floor laughing stuff, but it is witty, gentle, wise and a very effortless comfort video, and generally better written, better filmed and better acted than other films of the same persuasion, e.g Truly Madly Deeply (which I loved) or Sleepless in Seattle. It is a real blend of romantic comedy and poking fun at the movies. But anyone tuning in for Mamet's customary gritty dark exposes of the seamy side of human nature will be a little nonplussed. Nonetheless, a class act.
The story, such as it is, develops at a snail's pace, while the actor's look like they can't even be bothered trying to bring this turkey to life. Alec Baldwin sleepwalks through the whole movie, Julia Stiles sounds like she's auditioning for a part she'd really rather not get, and Sarah Jessica Parker shows why she hasn't made many movies since LA Story.
Note to David Mamet: movies work better when they have a plot.