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View to a Kill [1985]


RRP: £19.99
Our Price: £10.49 (subject to change)

Editorial
Amazon.co.uk Review

Roger Moore's last outing as James Bond is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, the Film is largely interesting for Christopher Walken's quirky performance as a sort-of supervillain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (in the best Bond tradition, she has sex with 007 before trying to kill him later) and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, A View to a Kill is a very slight effort. --Tom Keogh

Editorial
Amazon.co.uk Review

A View to a Kill, Roger Moore's last outing as James Bond, is evidence enough that it was time to pass the torch to another actor. Beset by crummy action (an out-of-control fire engine?) and featuring a fading Moore still trying to prop up his mannered idea of style, A View to a Kill is largely interesting for Christopher Walken's quirky performance as a sort-of super-villain who wants to take out California's Silicon Valley. Grace Jones has a spookily interesting presence as a lethal associate of Walken's (and who, in the best Bond tradition, has sex with 007 before trying to kill him later), and Patrick Macnee (Steed!) has a warm if brief bit. Even directed by John Glen, who brought some crackle to the Moore years in the Bond franchise, this is a very slight effort. --Tom Keogh, Amazon.com

On the DVD: For Roger Moore's final Bond outing the production crew faced the usual quota of difficulties and disasters, the "making-of" documentary reveals: from base jumpers off the Eiffel tower whose antics threatened to jeopardise fragile relations with the Parisian authorities, to Ridley Scott thoughtlessly burning down the 007 at Pinewood right before production was due to start. Patrick MacNee, who has a supporting role in the movie, hands over narrative duties on this one to Rosemary Ford. The commentary is one of those less-than-satisfying montages of comments from various members of cast and crew. Also included is Duran Duran's "A View to a Kill" video (sounding hopelessly dated now), the usual trailers and a brief deleted scene of comic relief inside a Parisian police station. The second documentary concerns the music of Bond--always a crucial ingredient--although it manages the neat diplomatic trick of interviewing both Monty Norman and John Barry without giving the least hint of any controversy about the famous James Bond theme. --Mark Walker


A GOOD VIEW IN MY EYES
Review date: 2007-08-07 Rating: 8 out of 10

Roger Moore is too old, Tanya Roberts is too young for him, and Christopher Walken and Grace Jones make an odd pairing, but if this films is one thing it is very enjoyable. While these factors should make the film a disaster, it is, however, great fun, with Moore joyfully playful as usual, Roberts alright as a screaming heroine and Walken and Jones are great as the villains, Max Zorin and May Day. While it may seem like an odd pairing (Oscar winning actor, violent acting singer who attacks chat show hosts), they are superbly psychotic together (until May Day turns into a good guy at the end). There is a feeling here that it's all been done before, and possibly better. Megalo-maniacal villain, here trying to destroy Silicon Valley, the heroine who is clever but needs Bond to save her, the puns and double meanings as well as the fast paced action sequences, but it strangely works for me. As a Bond film it isn't a classic, and it sure as hell it ain't one of Moore's best. It will never compare to Goldfinger, From Russia With Love, Licence to Kill, The World is not Enough, The Spy Who Loved Me or The Man with the Golden Gun, what it will do is provide the audience with two hours of solid fun. If there's is anything overtly wrong with the film it's the use of the Beach Boys when Bond is snow boarding (John Glen should hang his head in shame for that one). However when you have Moore, despite looking too old for the part here, being playful as usual, a great villain in the shape of Walken who is typically in psychotic mode here, a great theme tune from Duran Duran and a wonderful score from John Barry why should we complain.

Bond films are meant to be about entertainment, anybody watching these films for dialog or plot needs their head examined. While it is fun to get Bond films that put the plot and characters center staged like Licence to Kill, For Your Eyes Only and The World is Not Enough, it is also great when we get fun pieces of entertainment like this. The film is eye and ear candy. Barry's music is so much fun it clearly goes well with the film and while Tanya Roberts sure as hell ain't a great actress, she is pleasant on the eye. All in all it is great fun and while I know there are many out there that really hate this film I don't. I love it, so there.

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Reviews


A Very Nice View!
Review date: 2007-07-22 Rating: 8 out of 10

So ends Roger Moore's twenty six year stint in the role of everyone's favourite spy. Now well into his eighties, one must suspend disbelief in the opening credits sequence of the film as Moore races down the frozen slopes of Italy on a tea tray. It is rumoured that so frail was Moore during filming, he actually rested in a wheelchair between takes.

This film sees Bond battling against the mighty Max Zoren, an evil genius whose frightening mutant race horses threaten mankind. Christopher Lambert is excellent in the role of the albino Zoren, giving him an air of nervousness as well as a strong Dutch accent. Grace Jones is equally thrilling as Zoren's sidekick Mayfair, an amazonian kickboxer who can also read peoples minds.

A few key sequences stand out in this film. The first is Bonds bath-tub love scene with British soap star Anthea Turner. The on-screen chemistry is potent, and Moore was rumoured to have dated the actress at the time. The second is the finale set inside a mine in Chicago, where Bond must defuse a load of parcel bombs planted by Zoren. Moore's usual grimacing was wisely rejected for a light-hearted Benny Hill style sequence at this point.

If you like comical action films with strong erotic undertones, then seek out this film. There is even a love scene on the Eiffel Tower. Now that takes some beating!

Roger Moore's facelift shows his age, but his acting doesn't!
Review date: 2007-04-01 Rating: 10 out of 10

I think this is probably the best 'sign off' Moore could have hoped for from the Bond series, as he does an excellent job in this long, but excellent action movie.
The plot in short see's Max Zorrin, an ex KGB agent, planning to flood San Fransisco. Why? Well, lets just say he's a little mad! Though happens to speak many other languages, owns a very wealthy company, and has a girlfriend (or close partner - its not completly brought up!) who herself is starting loose a couple of screws.
I think what makes it a good film is the way the plot develops, and takes Bond away from the Zorrin's nice Chateau where he discovers his racing horses are fixed, to underground mines. It does feel like quite a long film compared to other Bond films, but it will keep you entertained as Moore does without the bad oneliners we saw in Moonraker, and plays a quite a mature role as the film is very gadget free.
All in all, a great film, and deffinately one of Moores best. Checkout his facelift at the start in MoneyPennys office - he looks more scarey than younger as his face is 100% crease free!

WRONGLY CRITICISED.
Review date: 2006-11-28 Rating: 10 out of 10

many people beleive this is the worst james bond film and roger moores worst.
i actually think its roger moores second best behind live and let die.
but i think roger moore being 57 at the time should of packed up before and it would have been good to see timothy dalton in this one.
but it really has some SUPERB scenes like the car chase when 007 is driving a fireengine(i beleive this is the best car chase in any bond film), the part when james bond and stacey are in the elavator when the building is on fire, and the fight between 007 and zoran at the end.
GREAT FILM

he was 57 at that time ! Tanya Roberts could be his oldest daughter !!
Review date: 2006-11-08 Rating: 4 out of 10

Moore was a sad puppet in this film. Connery's Never say never Again was actually a better movie 3 years earlier.

He was 57 at that time, Timothy Dalton could play this movie better than Moore did.

Product Details/Specifications


Actor(s):
Patrick Macnee
Christopher Walken
Grace Jones
Roger Moore
Tanya Roberts

Creators:
Roger Moore (Primary Contributor)
Christopher Walken (Primary Contributor)
Alan Hume (Cinematographer)
Albert R. Broccoli (Producer)
Michael G. Wilson (Producer)
Michael G. Wilson (Writer)
Tom Pevsner (Producer)
Ian Fleming (Writer)
Richard Maibaum (Writer)

Director(s):

Recording label: MGM Entertainment
Manufacturer: MGM Entertainment
EAN: 5050070004991
Binding: DVD
Number of items: 1
Format: Anamorphic, PAL, Widescreen,
Release date: 2003-11-03
Number of discs: 1
Aspect ratio: 1.78:1
Audience rating: Parental Guidance
Region code: 2
Running time: 126 minutes
Theatrical release date: 1985-05-24
Language: English (Original Language)

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