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Editorial
Amazon.com
James Hilton's novel Lost Horizon proposes a perfect hidden community within the uncharted Himalayas, a land where peace reigns and the inhabitants live for hundreds of years. So indelible is this mythical land that its name has entered the culture: Shangri-La. Director Frank Capra, riding high during his mid-'30s hot streak, spared no expense in creating Hilton's paradise onscreen, taxing the coffers of Columbia Pictures and the patience of mogul Harry Cohn. The results, however, are magical: shimmering, seductive, and maybe a bit foolish, truly the creation of an idealist (understandably, the spectacular art direction won an Oscar). And Capra's hero is an idealist, too. Ronald Colman, at his most marvelously elocutionary, plays a wise diplomat whose plane crashes in the snows of Tibet. He and the other survivors are guided to Shangri-La, where they wrestle with the invitation to stay. The young Jane Wyatt plays Colman's love interest, but leaving a more lasting impression are H.B. Warner as the benevolent Chang and Sam Jaffe, in great old-age makeup, as the wizened High Lama. This version has been restored as closely as possible to Capra's original cut; the film had circulated for many years in a trimmed form. Lost Horizon was remade, notoriously and hilariously, as a big-budget musical in 1973 -- it was a complete flop. --Robert Horton
Magnificent example of professional movie making
Review date: 2007-12-24 Rating: 10 out of 10
This is one of the great romantic movies; perhaps the best movie of Frank Capra's career; probably the best of Ronald Colman's. It runs about 2 hours and 34 minutes and never seems slow, even in the reflective scenes.
Robert Conway (Ronald Colman), a diplomat and soldier, his brother and three others escape on the last plane out of a war-torm Chinese town. The plane is highjacked and heads for the Himilayas, where it crashes. The crew is dead, the passengers stranded in freezing weather and deep snow. A band of natives appears with warm clothing, rescues them and they set out on a long trek. Eventually they come to a nearly inaccessible crevice in the mountains. They go through and find a valley that is warm and green, with people working cooperatively and happily, where streams run and fields are tilled, where governance is from monks who are wise and fair. They have been brought to Shangri La, but for what purpose?
Conway is curious, meets a young woman with whom he falls in love, has discussions with one of the monks he assumes is the one in charge. His brother is resentful, unhappy and longs to go back to civilization. The other three at first agree, but gradually they find themselves discovering a kind of peace within themselves. And then Conway is brought to meet the High Lama (Sam Jaffe), an ancient man who, he realizes, is the person who first discovered the valley and began the community...over two hundred years ago. The High Lama describes Shangri La as a place where time has slowed to the point where it is meaningless, where peace is the natural condition. "It came to me in a vision, long, long ago," the High Lama tells Conway. "I saw all the nations strengthening, not in wisdom, but in the vulgar passions and the will to destroy. I saw the machine power multiplying, until a single weaponed man might match a whole army. I foresaw a time when man, exalting in the technique of murder, would rage so hotly over the world, that every book, every treasure, would be doomed to destruction. This vision was so vivid and so moving, that I determined to gather together all things of beauty and of culture that I could, and preserve them here, against the doom toward which the world is rushing. Look at the world today. Is there anything more pitiful? What madness there is! What blindness! What unintelligent leadership! A scurrying mass of bewildered humanity, crashing headlong against each other, propelled by an orgy of greed and brutality. A time must come, my friend, when this orgy will spend itself. When brutality and the lust for power must perish by its own sword. Against that time, is why I avoided death, and am here. And why you were brought here. For when that day comes, the world must begin to look for a new life. And it is our hope that they may find it here. For here, we shall be with their books and their music, and a way of life based on one simple rule: Be Kind!" He tells Conway that even in Shangri La death comes, and that he is dying. He chose Conway to be his successor, hoping that Conway would find the same peace which he had, and that Conway would agree.
But Conway's brother is determined to leave with a young woman from Shangri La. Conway reluctantly agrees to go with them because he knows his brother couldn't survive the trek without him. Tragedy occurs but Conway survives and is returned to civilization. But then he disappears. He will search for as long as it takes to find Shangri La again.
I've gone on about this movie because it is a near-perfect example of the kind of sweeping, romantic, powerful film Hollywood could make in its prime. The combination of, especially in the Thirties, the idea of a Shangri La with Frank Capra's immense gifts as a director able to hit people in their hearts and Ronald Colman's skill at portraying noble, brave and believeable heroes all comes together in this movie. An equal player in the excellence of this emotional film is Sam Jaffe's portrayal of the High Lama. He is intensely believeable as a gentle and wise man.
The movie pulls you emotionally. It has an ending that might make you tear up and will certainly satisfy you.
The film for the most part looks great. It had been chopped and diced after it was released to reduce playing time and, during World War II, to reduce the pacifist elements. The original negative and about seven minutes of film were never found. This restoration was pulled together from several sources and, except for a handful of places, looks just fine. Where the bits of film were lost, the soundtrack was kept with stills inserted to match who was speaking. This works very well. There are extras about the restoration that are interesting.