Yojimbo [1961]


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Editorial
Amazon.co.uk Review

This semi-comic 1961 film by legendary director Akira Kurosawa (Rashomon, Ran) was inspired by the American Western genre. Kurosawa mainstay Toshirô Mifune (Seven Samurai) is cast as a drifting samurai for hire who plays both ends against the middle with two warring factions, surviving on his wits and his ability to outrun his own bad luck. Eventually the samurai seeks to eliminate both sides for his own gain and to define his own sense of honour. Yojimbo is striking for its unorthodox treatment of violence and morality, reserving judgment on the actions of its main character and instead presenting an entertaining tale with humour and much visual excitement. One of the inspirations for the "spaghetti westerns" of director Sergio Leone and later surfacing as a remake as Last Man Standing with Bruce Willis, this film offers insight into a director who influenced American films even as he was influenced by them. --Robert Lane, Amazon.com



A class act!
Review date: 2008-07-17 Rating: 10 out of 10

This was one of the first foreign films I ever watched.I was curious to see what the original idea was like,after watching'A Fistful of Dollars'The Japanese version was much superior,and hugely entertaining.Toshiro Mifune plays the wandering Samurai warrior brilliantly,as he gets the two rival gangs battling against each other.A timeless film,and a class act.I never tire of watching it!


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Reviews


"I'm not dying yet. I have to kill quite a few men first "
Review date: 2007-12-27 Rating: 8 out of 10

Yesterday I saw "Yojimbo" (1961), a beautiful black and white movie directed by Akira Kurosawa. From my point of view, this dvd isn't Kurosawa best movie, but it is nonetheless a film that is worthwhile watching.

This fast-paced and morally ambivalent story is set in Japan, during the second half of the nineteenth century, a period in which old social structures were destroyed, and faithful samurais where left without masters. Those samurais had to wander in search of employment, and were called "ronin". Sanjuro (Toshirô Mifune), the main character of "Yojimbo", is one of them.

Sanjuro stumbles into a small town that happens to be divided into two warring factions. He soon realizes that those factions are fighting over control of the village, something that seems to him a good opportunity to sell his services to the higher bidder. Sanjuro has flexible standards of morality and won't have misgivings about doublecrossing his momentary allies, when he deems it convenient to earn more money. His ultimate purpose is more complex, though: Sanjuro wants to rid the town of both bands. Unfortunately, his luck and the foolishness of the two bands can only last for so long...

On the whole, I think that this is a very good film, that even those not normally fond of foreign movies will like. Recommended...

Belen Alcat

PS: Kurosawa's best movie is, in my opinion, "Seven samurai".
PS2: The plot of this film was taken in 1964 by Sergio Leone in order to make the first "spaghetti" Western, "A fistful of dollars", starring Clint Eastwood.


ONE OF THE VERY, VERY BEST PERIOD SAMURAI FILMS
Review date: 2007-06-04 Rating: 10 out of 10

I never tire of watching this film. Mifune is here at his best, as the rogue ronin who manages to manipulate effectively and eventually eliminate two different gangs of criminals in a small Japanese village in order to liberate the subdued villagers. Mifune's Yojimbo is a cynical, misanthropic wandering samurai who helps out the villagers for no apparent reason.

It is easy to see how Clint Eastwood modeled some of his gunslinging cowboys on Mifune's incredible rendition.


magnificent and atmospheric Kirosawa at his BEST
Review date: 2007-03-24 Rating: 10 out of 10

Its no wonder that Sergio Leone used every last detail of Yojimbo to write A Fist Full of Dollars this film is bordering on perfection.

Toshiro Mifune tosses a stick in the air to see in which way to travel and the rest is straight out of legend.

The film has its comic moments,all the baddies look like they have come from a horror movie set,one in particular looks like Lurch from the Adams family but the entire plot down to the finest detail was used by Leone for his first Dollar film.
Mifune sucks on a straw whilst Clint sucks on a cheroot,even Wanderdios the crazy bell ringer is there and the undertaker.

Yojimbo is the film A Fist Full of Dollars should have been.Leones first outing lacks the style and cinematography of the final two but Yojimbo in Japanese ranks alongside Throne of Blood as one of the greatest Japanese films of all time.The atmosphere and comic dialogue is one of a master director at work and the film sets and special effects are trully excellent.

If there is only one Kirosawa film you should see then Yojimbo is it because the atmosphere and acting especially by Mifune are of the highest standard.


When Destiny is as Simple as the Toss of a Stick
Review date: 2005-08-04 Rating: 10 out of 10

The beginning of this tale, when our hero tosses a stick into the air to see which way it lands to choose his path, is just one of the many elements which makes this such an amazing story and one my favorites of Kurosawa's many masterpieces. What the bodyguard chooses to do first with his newfound independence is quite surprising and ambitious, like piecing together an amazingly complex jigsaw puzzle made of human nature, or staging a performance of an epic masterpiece with no previous management, production, or directing skills. But I guess he may as well tackle a mountain, since there is not much use starting small with his skills and personality. As he orchestrates the deception, our hero is much like a master puppeteer with exquisite timing and talent to incite the mayhem to achieve his goal.

While the basic theme of this story is not unique - the result of greed, manipulation of others, and the changing of the world (tradition vs. progression) - many factors add an interesting and unusual charm to this film. There are plots within plots, surprising deception, perfectly paced mounting tension, unpredictable plot twists, stories within stories, distinctive and amusing characters (the big guy with his huge mallet is a lot of fun), the seemingly never-ending face offs, backstabbing, character flaws; and our hero continually placed in the perfect position to observe, listen, and evaluate. Also, the bodyguard's impeccable timing in manipulation of both sides is nice, fulfilling our expectations and keeping the story moving along. What if bodyguards were really like this? (mischievous, brilliant, manipulative) The famous people of the world would be in terrible trouble.

The humor in this story is wonderful, even the macabre humor of the dog carrying the human hand in its mouth while trotting along to fairly spunky music. I also love the funnier fight sequences, which seem to come right out of clown school and resemble football skirmishes instead of battles. In several of the scenes, it appears that the swordsmen are miming roasting marshmallows instead of fighting with their weapons. Nice addition of lightness to a serious tale. Our hero sticking around after he has discontinued his services purely for "the entertainment" also accentuates the humor aspect of this movie.

The mix of character types is also interesting including a dominatrix, a prodigal son, a damsel in distress, several amusing drunks, and many bumbling idiots. The ease in which our hero is able to manipulate these human beings is extremely unbelievable; however, many aspects of this film fall into that category and it is still a wonderful story. This is one of those rare instances in which certain trite, far-fetched, and predictable elements are actually good and serve to enhance the story.

The nature symbolism is a nice addition to this film including the cleansing rain allowing us to shift gears from Act I to Act II, and the dust storm, which precedes the more unpredictable part of the story serving to unsettle and disorient us.

Finally, the shadowy, light dancing, night fires scene is amazing, intensifying the town's debauchery and our hero finally stepping up to get involved in the action before ultimately getting caught in his own web. This scene is perfect, like an expertly lighted stage drawing us into Act III.

I have only described a few of the wonderful features of this film. There are many others, which warrant several viewings to truly appreciate the complexities of this story. For those who enjoy this movie, I also recommend the sequel, Sanjuro, which is equally well done.

J.H. Sweet, author of The Fairy Chronicles, and Kurosawa fan.


Product Details/Specifications


Actor(s):
Tatsuya Nakadai
Eijirô Tono
Isuzu Yamada
Toshirô Mifune
Yôko Tsukasa

Creators:
Toshirô Mifune (Primary Contributor)
Eijirô Tono (Primary Contributor)
Kazuo Miyagawa (Cinematographer)
Akira Kurosawa (Editor)
Akira Kurosawa (Producer)
Akira Kurosawa (Writer)
Ryuzo Kikushima (Producer)
Ryuzo Kikushima (Writer)
Tomoyuki Tanaka (Producer)

Director(s):

Recording label: Bfi Video
Manufacturer: Bfi Video
EAN: 5035673005057
Binding: DVD
Number of items: 1
Format: Black & White, PAL, Widescreen,
Release date: 2000-11-06
Number of discs: 1
Aspect ratio: 2.35:1
Audience rating: Parental Guidance
Region code: 2
Running time: 105 minutes
Theatrical release date: 1961-09-13
Language: Japanese (Original Language)
Language: English (Subtitled)

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