McGoohan is Number 6, a man whose resignation from the secret service (seen every week in a montage title sequence--itself an impressionistic TV landmark) triggers his abduction and imprisonment in "The Village", a sort of open prison for spies where everyone has a number not a name. It's a pretty comfortable place and the other inhabitants all seem passively to accept the situation, allowing the Village authorities to control and limit their actions without protest (escape attempts are thwarted by mysterious bubble-shaped guards called "Rovers"). Number 6, however, is an indomitable freedom fighter whose refusal to accept the status quo is a metaphor for the individual ego struggling against the forces of social conformity: "I am not a number I am a free man" is the series' most resonant catchphrase. The Village's allegorical microcosm of society is presided over by Number 2, played by a different actor every week, with whom Number 6 clashes repeatedly in a battle of wills as he continually questions the authority that has imprisoned him ("Who is Number 1?"). In turn the Kafkaesque authorities try to discover the reason why he resigned. His trenchant refusal to provide any reason at all is itself a powerful assertion of individual freedom. The series culminates in perhaps the most bizarre and psychedelic TV episode ever made, "Fallout", in which Number 6's revelatory discovery of the real power that keeps him imprisoned raises more questions than it answers. --Mark Walker
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Editorial
Amazon.co.uk Review
Part action series, part psychedelic fantasy, part allegory, Patrick McGoohan's masterpiece, The Prisoner, was initially touted as a sequel to his earlier spy series, Danger Man. But when it was first broadcast in 1967 TV audiences were puzzled; when the show was cancelled 17 episodes later due to declining viewing figures, no one was any the wiser. Shot in the picturesque surroundings of Portmeirion in North Wales, whose architectural fantasies provided an ideal backdrop for the show's surrealism, The Prisoner has subsequently been recognised as one of the most innovative and thought-provoking series ever to be broadcast. Despite the primary-coloured flower-power look, the show's bold ideas haven't dated at all, proving that The Prisoner was simply years ahead of its time.
Way ahead of it's time
Review date: 2008-02-16 Rating: 10 out of 10
There's not much to say about 'The Prisoner' that hasn't already been said, but as it made such a huge impression on me, I'm compelled to give my thoughts.
The first thing that struck me about 'The Prisoner' was it's similarity to 'Lost' and other shows of that ilk that are so popular right now, these shows get you thinking "what's really going on" and often leave you guessing, it's not all laid out, you need to fill in a few gaps yourself so it becomes in a strange way an interactive experience. I find myself thinking deeply about the episode I just watched for days after.
Watching every episode is pure escapism from the classic opening titles to the end credits. I really felt how it was to be a prisoner in this strange place the feeling of claustrophobia are conveyed beautifully, Patrick McGoohan is stunning in this, the intensity of his performance is compelling and combined with the stunning cinematography and often surreal soundtrack make this a classic, must see series.
Made in 1966 and put on air in 1967, it is a basic story line (with many different theory versions depending on your point of view) of trying to break someones determination to be individual and on the other hand someones rebellion of the establishment.
Each episode is about trying to get No 6 to tell them why he resigned his position and our hero trying to escape his Idyllic prison. It covers topics like drugs and personality drug alterations, deception, manipulation, disillusionment and dishonesty, to name a few, in differant settings and experiences. You can't even have a full nights sleep with out some one seeing your dreams and trying to alter your perception.
17 excellent storylines and brilliant acting with the odd slow part with a twist at the end to keep you baffled. The music is either brilliant or boring but also moving and hypnotic. Most people who watch the Prisoner love it and watch it over and over again.
Excellent DVD and worth buying, you may even join 6 of 1.
Criticisms? Sometimes the series shows its age - it was made in the 60's after all. Some of the technology and fashions look dated by todays standards. As time went on, so some of the scripts became a little weak (like "Its Your Funeral"). As storylines got stretched, sometimes the Prisoner even left the Village - "Living in Harmony" is set in the Wild West.
There is not much in the way of extras on the DVD's and the one, US documentary is a little dissapointing. However the overall quality of the production is very good.
Watch it with an open mind. It works on several levels - adventure series; social commentary; and as another commentator put it, "allegorical conundrum". One thing is for sure - nothing else on TV has really ever got close to it's range and depth.