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Editorial
Amazon.co.uk Review
One of the best comedies of the 1970s, Blake Edwards' ode to midlife crisis and the hazards of infidelity now plays like a valentine to that self-indulgent decade, and it's still as funny as it ever was. In the signature role of his career (along with Arthur), Dudley Moore plays a songwriter with a severe case of marital restlessness, and all it takes is a chance encounter with Bo Derek (in her screen debut) to jump-start his libido. Julie Andrews plays Moore's wife, who will only tolerate so much of her husband's desperate need to reaffirm his sexual vitality, while Moore pursues Derek to a tropical rendezvous. The action builds to the now-famous bedroom scene that sent everyone rushing to the music store for their own copy of Ravel's Boléro. Talk about a classical climax! --Jeff Shannon, Amazon.com
Rauncy sex comedy with uneven and ridiculous plot
Review date: 2007-03-31 Rating: 4 out of 10
Blake Edwards' 10, proved to be a surprise at the box office, at a time when he lost his main star the gifted comic Peter Sellars who had dominated his entire set of Pink Panther movies and two others including The Crazy World of Henry Orient and The Party.
George Webber (Moore) is a pianist who has a house by the sea and has a strained relationship with his posh no-nonsense girlfriend. Webber, when in his luxurious limo, spots a young woman in a wedding dress, he is fascinated by her youth and her body..................
Edwards began searching for the perfect George Webber, which he found in Dudley Moore and his hollywood career was born out of the ashes where he became an overnight sensation.
10 is about appreciating love by attraction on a number scale and how appearances can always be depective if you don't reveal the goodness. However, despite being aided by a wonderful rarely heard piano score by Henry Macini which is a treat. The screenplay boggs down into a rauncy sex comedy supported with a silly and ridiculous car chase where Moore is given freedom for his own comedy stunts that become very tiresome very quickly. He may be the star, but it never moves forward and the idealism of 70s down and dirty sex shows the film it's true age of fast approaching three decades old.
Avoid this and if you do, prepare for some boredom. I suggest watching early Blake Edwards comedies such as the ones i have mentioned above. 10 only marked the beginning of the end of his career of a director past his peak and into the depts of mediority.
From 8-track tapes to 70s swingers music, this film has a rich flavour.
Perhaps more importantly, '10' is a film about performances. Dudley Moore sat at a piano in a mexican hotel bar playing "It's Easy to Say" is mesmerizing. The fact that this was filmed live in one-take and that the tune was written by Henri Mancini should be enough to explain the quality of this film. Put Blake Edwards, Dudley Moore, a Henry Mancini tune and a piano together and you can't help but create magic.
Blake Edwards' gift is to create movies where the audience forget they are watching a movie. He relies on performance rather than cinematic trickery and the result, in the case of '10', is perhaps one of the most beautifully relaxed and easy films to watch ever created.
A pure classic to watch again and again.
See, I didn't even talk about the stunning Bo Derek...
Anyway, as usual, Dudley Moore provides a lot of good laughs, not only in the slapstick genre and his classic drunk scenes. And these moments are the only highlights of an otherwise outdated and therefore nowadays ridiculous film.
Sex? None.