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Editorial
Amazon.co.uk Review
Robert Towne is one of Hollywood's most celebrated screenwriters, but because his directorial efforts have been few and far between, anticipation was high when this star-powered crime story was released in 1988. Critical reaction was decidedly mixed, but there's plenty to admire in this silky, visually seductive film about a drug dealer (Mel Gibson) whose best friend from high-school (Kurt Russell) is now working for the Los Angeles sheriff's drug detail. Their personal and professional conflicts are intensified by their love for the same woman, a waitress (Michelle Pfeiffer) at the Italian restaurant they both frequent. There's a big deal going down with a drug lord (the late Raul Julia), but as it twists and turns, Towne's story is really more about personal loyalties and individual honour. And even if it doesn't quite hold together, the movie's got a fantastic look to it (courtesy of the great cinematographer Conrad Hall), and the three stars bring depth and dimension to their well-written roles. --Jeff Shannon
Slightly too complicated for comfort
Review date: 2007-09-15 Rating: 8 out of 10
One of these films that are so intricate that you seem to lose the line along the road, especially since the road is slightly tortuous and at least in the high sierras. It is well played and acted. It is well set and shot. It is well produced and edited. It's just that the story is too complicated for anyone to be able to get all the truth out of the marsh, all the light out of the pitch, all the fun out of the nunnery. One woman who is both desired and feared by at least three men and two of these three men are wanted by all kinds of American or Mexican polices and the third man in question is a local cop. Simple indeed. They have microphones and voice-catchers everywhere. They have binoculars and cameras everywhere. They see and hear and know everything and yet they get fooled like kindergarten kids, all of them, by the reformed drug dealer who is in love with the woman who is in love with him. He has to get rid of the main gangster, Carlos, his friend, of the money that could prove a crime, of the cops who are on his back, and yet protect the woman Carlos wants to kill and the local cop wants to use as some night entertainment. And it all ends up right of course. But how and why we cannot know. Apart from that it is funny to just follow the line of adventure as if it were not to be rational, logical, understood, just enjoyed at its face value.
Dr Jacques COULARDEAU, University Paris Dauphine, University Paris 1 Pantheon Sorbonne & University Versailles Saint Quentin en Yvelines
The plot revolves around 3 questions: Has Gibson's character, Mac, really gone straight? For Russell, does his job or his friendship with Gibson come first? And, finally, which one will Pfeiffer end up with?
Compared to the average cop movie, the film is slow. On the plus side, considering it's a Hollywood movie, the film has an unusual ability to see shades of grey. At the end of the day, both of those observations stem from that fact that the film is primarily a romance with a police investigation backdrop. The characters are well drawn for crime film but are still pretty two dimensional for a romantic drama.
The complex love triangle between Pfieffer, Gibson and Russell is further complicated by the fact that Gibson and Russell are long time best friends, one is a drug dealer and the other a narcotics officer. Sure, it may be a little far fetched but it makes for good viewing.
Fans of Michelle Pfieffer will enjoy the steamy love scene with Mel Gibson whilst anyone who enjoys good music will find the soundtrack interesting. There is a wonderful piece of music written by Dave Grusin and featuring David Sanbourn on the saxaphone, a great duet from Nancy Wilson (Heart) and Robin Zander (Cheap Trick) and some other great tunes from bands such as Duran Duran, Crowded House and Ziggy Marley.
A good film for summer time.