The film also benefits from location shooting in San Francisco, caught in the moonlight-and-supper-club glow of the late 1950s. Sinatra does beautifully with the Rodgers and Hart classics "I Didn't Know What Time it Was" and "I Could Write a Book", and his performance of "The Lady is a Tramp" (evocatively shot by director George Sidney) is flat-out genius. Sinatra's ease with hep-cat lingo nearly outdoes Bing Crosby at his best. If not one of Sinatra's very best movies, Pal Joey is nevertheless a classy vehicle that fits like a glove. --Robert Horton
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Editorial
Amazon.co.uk Review
First born in the pages of The New Yorker, then translated into a hit Rodgers and Hart Broadway musical, the title character of Pal Joey had undergone quite a transformation by the time he hit the movies in 1957. He was a singer, rather than a dancer, but more importantly he'd had his rough edges sweetly softened; the callous heel dreamed up by novelist John O'Hara was more of a naughty scamp in the film version. However, Pal Joey remains delightfully watchable for two very good reasons: a terrific song score and a surplus of glittering star power. Frank Sinatra, at the zenith of his cocky, world-on-a-string popularity, glides through the film with breezy nonchalance, romancing showgirl Kim Novak (Columbia Pictures' new sex symbol) and wealthy widow Rita Hayworth (Columbia Pictures' former sex symbol). The film also benefits from location shooting in San Francisco, caught in the moonlight-and-supper-club glow of the late 50s. Sinatra does beautifully with the Rodgers and Hart classics "I Didn't Know What Time It Was" and "I Could Write a Book" and his performance of "The Lady Is a Tramp" (evocatively shot by director George Sidney) is flat-out genius. Sinatra's ease with hep-cat lingo nearly outdoes Bing Crosby at his best, and included in the DVD is a trailer in which Sinatra instructs the audience in "Joey's Jargon", a collection of hip slang words such as "gasser" and "mouse." If not one of Sinatra's very best movies, Pal Joey is nevertheless a classy vehicle that fits like a glove. --Robert Horton
Editorial
Amazon.co.uk Review
The eponymous Pal Joey, born in the pages of The New Yorker then translated into a hit Rodgers and Hart Broadway musical, had undergone quite a transformation by the time he hit the movies in 1957. By then he was a singer rather than a dancer, but more importantly he'd had his rough edges sweetly softened; the callous heel dreamed up by novelist John O'Hara was more of a naughty scamp in the film version. However, Pal Joey the film remains delightfully watchable for two very good reasons: a terrific song score and a surplus of glittering star power. Frank Sinatra, at the zenith of his cocky, world-on-a-string popularity, glides through the film with breezy nonchalance, romancing showgirl Kim Novak (Columbia Pictures' new sex symbol) and wealthy widow Rita Hayworth (Columbia Pictures' former sex symbol).
Sinatra more than holds his own.
Review date: 2008-01-18 Rating: 6 out of 10
The only good thing about this movie is Frank Sinatra, and in particular his memorable performance of 'The Lady is a Tramp'. Cut this out and throw the rest away. Kim Novak's performance is wooden and Rita Hayworth's not much better. Moreover the rest of Rodgers and Hart's music is devalued by the fact that neither of the leading ladies are capable of singing, so their voices had to be dubbed by others. What a con'when others could have been recruited to fit the bill. Without Sinatra 'no stars'.
The film only received some Oscar nominations (Art/Set Direction, Costume Design, Editing, Sound), but Sinatra did pick up a 1958 Golden Globe Best Actor/Musical-Comedy for his part as Joey, the womanizing, fast talking, con-man singer, who goes from town to town, leaving debts and broken hearts behind; Sinatra makes the most of the part, and one cannot imagine anyone else that could have played Joey to such perfection.
Terrific direction by George Sidney and choreography by Hermes Pan complement this trio of great stars and splendid music, with the backdrop of San Francisco and Harold Lipstein's cinematography.
Total running time is 109 minutes.