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A great story, but not always well told
Review date: 2007-11-21 Rating: 8 out of 10
The Bride With White Hair is a curious beast. Much of the first half of the film feels like you've seen it a hundred times before (a troubled sifu/student relationship, divided loyalties, warring clans and the rise of what would become a united China) and the style often looks like a relatively low-budget film trying to look more expensive than it is rather than the genuinely expensive film it was, with director Ronny Yu shooting much of the film in near darkness with deep blacks, heavy blue filters and smokey backlighting, stylistic devices that aren't to everyone's visual taste. The action scenes are often played out via jerky step-printing (where the film is shot at around 12 frames per second or less but each frame is printed twice or more to create a sense of motion at normal speed that's either heightened or degraded depending on your point of view). While the film was shot on massive sets (genuine exteriors are few and far between), they're neither lit or shot to stress their scale or often to be particularly visually interesting, with much of the early action of the film very deliberately styled after a shadow-puppet play, all profiles and silhouettes. And yet gradually it casts its spell over you and begins to grip as the story becomes more ambitious and intriguing.
On the surface it's a Romeo and Juliet story between Leslie Cheung's heir apparent to a clan dedicated to good but filled with doubt no-one else shares about the severity with which it is enforced and Brigitte Lin's "wolf-girl" (meaning she was raised by wolves rather than turns into one) who has been trained as a supernatural killing machine by an evil pagan cult and who sports a particularly lethal whip that Indiana Jones would kill for - sharper than a meat cleaver and very handy for slicing-and-dicing any number of opponents. Their inevitably doomed romance occupies a moral middle ground that, naturally, neither side will tolerate, with their respective rejected mentors eager to reclaim their undivided loyalty. In many ways the film is a rejection of all the intransigent moral codes of the fantasy swordplay genre, where even the "good" clan and their allies are so blinded by their own self-importance that they have no qualms about killing innocent peasants just to be on the safe side in case they're lying ("Better to kill a hundred innocents than let one guilty escape"). And just to add to the complexity, the film offers a truly unique villain - a pair of male/female Siamese twins, the sister often goading her brother over his inability to understand the woman he loves. The finale is certainly unusually ambitious, and can be seen either as a fantasy battle or as a physical realization of the hero's nervous breakdown: either way, it offers a welcome level of emotional weight to what could easily have been clichéd fare. It's a film that has a lot working against it, but it lingers in the memory long after it's over.
A shame Tartan's widescreen 2.35:1 UK DVD is such poor quality (and, aside from some good film notes, extras-free as well: a pity since the troubled shoot - which apparently saw a few Triad bombing attacks on the studios to add to their woes - could bear further examination).
There is less fighting action than you might expect – but it's always a treat when Lien shows up. She literally makes mincemeat out of her enemies with nothing more than a strong rope; I mean, this girl is just wicked fast, and she would just as soon snap your head off as look at you – although, it must be said that Cho does manage to see more of her than any other man ever lived to tell about. Obviously, there is a romantic element to the story; it's a sort of Romeo and Juliet star-crossed lovers theme, except the Montagues and Capulets never went so far as to go around beheading each other. The romantic dimension is actually rather subtle, and any viewers who miss the full impact of the revelations toward the end may well wonder how this could be considered much of a love story at all.
Director Ronny Yu's The Bride With White Hair is a beautiful film, but I must admit that I felt it lacked a certain vitality; the picture always seem to be somewhat cloudy in some indistinct kind of way, making the print look older than it is (the film was released in 1993). Still, perhaps the real beauty of the film is its ability to succeed on multiple levels. Naturally, there's the obvious martial arts and romantic themes, but this movie also offers up an intriguing study of good and evil and, in particular, one's personal responsibility toward others on both sides of the conflict.
This is wonderful film, as in "full of wonder". If you appreciate Asian cinema, you really should watch it.
On a side note, this is essential viewing for all fans of Xena: Warrior Princess as the scene where Lein leaves the cult provided the inspiration behind Xena.